Ken Stringfellow: Ambigious Pop
by Jennifer Kelly
Ken Stringfellow has one of the best resumes in pop music. As a founding member of the Posies, with Jon Auer, he resurrected the sweet-sour hooks and joyous energy of power pop. Then, in the early 1990s, he began a long-term partnership with the band that many people credit with inventing power pop, appearing on the live Big Star reunion album and touring with the band sporadically ever since. He’s also worked with REM on Reveal and their upcoming album, and has contributed to the work of a long list of lesser known artists, most recently Michael Cerveris, Jill Sobule and the Senegalese band WaFlash. And, perhaps best of all, he has written, performed and produced three excellent solo albums, each with the kind of eccentric, intelligent and many-sided songs whose impact deepens on repeat listens.
I talked to Ken recently as he was driving from one venue to another on his one-man tour in support of Soft Commands. Like his songs, our conversation was filled with sudden topical leaps, interesting sidelights and the occasional acerbic pause — but it was always interesting. Here’s what Ken had to say about AAA radio, self-pitying singer songwriters, Senegalese Mbalax music and his amazing new album.
Splendid: I love this album. It’s really beautiful — but what does Soft Commands mean?
Ken Stringfellow: It arose out of a kind of joke, really. I was trying to figure out what to name my record, and at some point, we were talking about … we were trying to put the artwork together for it. I was making an observation about my potential for being adult contemporary…which I’m really not, actually. I’ve discovered that I’m far too eccentric for that category.